Broad Shoulders

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One of my favorite pictures of me and my Dad – from the late 1990s

I was very lucky. I grew up with a father who made me feel safe and supported. Although I did not fully understand my good fortune until I was a young adult, I did know it long before he died. I appreciated him in his lifetime and I am grateful for that.

Dad had an imposing presence. He was a bit shy of 6 foot, which in my mother’s estimation wasn’t tall enough (she was over 5’7” before osteoporosis and age did its damage), but he was a good healthy height by the standards of most Jewish people of his generation. It might be different today, with hybrid vigor and all, but notwithstanding my mother’s family, my grandparents’ and parents’ generation tended to be short. More than his height, though, Dad had broad shoulders, both literally and metaphorically.

I came to a greater appreciation of my father’s broad shoulders when I was a freshman in college.

I remember the trip up to Binghamton to drop me off quite clearly. We were listening to the radio as we drove through the Delaware Water Gap in the early morning, which was scenic with its green mountains and shimmering waterways. The sun was shining – a good omen, I thought. Coincidentally, the radio was tuned to a station that was playing music around the theme of saying good-bye. That may not have been the best choice for listening under the circumstances.

I already had mixed feelings about leaving home to go to college. I knew it was the right thing to do. It had been drummed into me that it was an important growth experience. My parents lived at home when they went to Brooklyn College and wanted their children to have the opportunity to go away. But, I was only 16 and had never been one to embrace change easily, so it presented a challenge. While I made progress during high school, gaining confidence and more self-esteem, I still had a long way to go.

For my oldest brother, college away was a great fit. As my parents liked to tell it, Steven arrived at the SUNY-Brockport campus, unloaded his bicycle, hopped on and rode away without looking back. They didn’t know if he would return to say good-bye.

For my brother Mark, I think it was a bit different. I don’t think he felt particularly ready to leave home, but he seemed to adjust to life at Oneonta. He was two years ahead of me and was quite settled by the time it was my turn to go to Binghamton.

In late August of 1976, as we drove through the Delaware Water Gap, with the sad songs playing, I felt a mix of melancholy and hopefulness. It was a new chapter and I had no idea what to expect.

We arrived on campus and were directed to my room, which was difficult to find. I was assigned to the College-in-the-Woods dorm complex, the newest of the dorms on campus and supposedly the most desireable. The buildings were a modern design, with a quirky layout that included large rooms, intended to be triples, where the door to the room was outside the building. Those rooms weren’t really part of the rest of the floor. Not only was the room set apart, but in my case, it was located in back of the building, so it was isolated. When I opened my room door, I saw a small driveway, garbage dumpsters and then the woods.  There was also a door to the rest of the dorm across a short walkway. The room was allegedly part of the basement floor, called “the Pits,” of Cayuga Hall. My new home.

Dad was not happy with my room. In fact, he was angry. We went to find someone in authority. Dad vigorously made the case that he thought it wasn’t safe for young women. In his opinion, the room should have been assigned to boys. There were no options for changing anything, though. They assured us that it was safe, there was adequate lighting and the RA (resident assistant) on the floor would be attentive. Reluctantly, Dad gave in, but not before putting everyone on notice about his concerns.

My Dad, who I thought was the strongest person in the world, single-handedly carried my very full, heavy steamer trunk into the room. We all made several trips from the car to the room. They helped me unpack and my mom made up my bed. Then, they left and headed back to Canarsie. I had to fight the urge to climb in the backseat.

Orientation week began. I had major ups and downs. On the upside, I bonded with Merle (who was tripled in a similar type of room one floor above me on the other side of the same dorm), Alison and Dianne immediately. On the downside, I didn’t bond with my roommates and I found the campus atmosphere stifling. It felt unreal to me, not only was my room isolated, but the whole campus felt like an island. I was used to reading three New York City newspapers every day. I was used to watching the news on television every night. The only television available was in the common lounge and there was no cable in those days, we didn’t get the NYC channels. The local Binghamton newscast seemed quaint by comparison. I felt disconnected…and I was.

I called my parents regularly, often in tears, often feeling lonely. I would be apologetic, “I’m sorry I’m calling you so unhappy.” My Dad was reassuring, “You have nothing to apologize for. We want you to call us if there is something bothering you. You are not a burden.” Although he couldn’t fix things, he and my mom did make me feel better. He wrote me encouraging letters. He tried to help me navigate things with my two roommates.

The three of us were an interesting combination. Me, from Brooklyn, Sue from Long Island and Sharon from Rochester, NY. Sue and I got along fine, but we were from different worlds. There was a large contingent of freshmen from her high school and she socialized with them. They reminded me of the kids from the camp where I worked – and not in a good way. They were concerned with hair, make-up and designer clothes – and partying. They came across as entitled and monied. So, while as an individual Sue was fine, I didn’t enjoy her group and I didn’t hang out with her.

Sharon was from a suburb of Rochester and she was a completely different story. She came to college not knowing how a woman got pregnant. She was naïve beyond belief. Sue offered her her copy of Our Bodies, Ourselves. Though I was totally inexperienced in that regard (I had a lot to learn from Our Bodies, Ourselves, too), I at least knew the facts of life. Sharon was a very odd duck. One of the things that was unique was that she could burp louder than anyone I had ever known. Each time she did, I couldn’t help myself, I would go, “Woah!?!,” a mixture of awe and surprise. I was taught to keep all bodily functions as quiet and private as possible, so Sharon was a revelation. Beyond that quirk, we also didn’t have much in common, and she seemed a bit troubled. During midterms, she scratched her own face in a fit of anxiety.

I had my own struggles that first semester. My writing, which was a source of pride in high school, was criticized by both my Lit & Comp TA (teaching assistant) and my Intro to Poli Sci professor. I was reeling. The weather in Binghamton in the fall and winter of 1976/77 was biblically bad – it literally precipitated for 40 days and 40 nights. There was snow on the ground from my birthday (October 3) through April – and we had snow flurries during finals in May. I had to steel myself, I hunched my shoulders and tightened my muscles each time I opened the dorm door to the bitter cold. Previously I didn’t know nose hairs could freeze, but they did when I walked to the classroom wing! Gray clouds were a constant. For someone prone to melancholia under the best of circumstances, this was a bad recipe.

In the middle of that fall semester, weird stuff started disappearing from our room – some money (mostly loose change), a robe, a pair of pajamas. Not major theft, but it was noticeable. I mentioned it to my Dad. He told me to report it to the RA. I did.

They did an investigation that included being interrogated in the RA’s room by the Resident Director, with a single lamp shining on my face, while I sat on the RA’s desk chair. After a few days, I received a letter (I think all three of us received the same letter, but my memory fails me on this) that said they knew who was doing this and that person was expected to go to Psych Services (the counseling center). I shared this with my Dad, who was incensed. I was totally perplexed. Who was doing this? It was more of an annoyance than frightening to me. He wrote a letter to the President of the University saying that the matter was being mishandled and that the letter I had received had better not be included in my official record and should be destroyed. Dad received a letter in return that agreed with him and assured us that the letter was torn up and was not part of my official record.

Shortly thereafter items stopped disappearing. It was all very strange. That incident certainly didn’t help my relationship with my roommates or connect me to my RA and the other residents of “The Pits.” It solidified the need for me to change rooms and roommates.

At another point in that semester I received a bill indicating that tuition had not been fully paid. I think it may have related to not getting credit for my Regent’s Scholarship. Once again, I called home. Dad told me he would take care of it, and he did. I didn’t receive another bill.

As painful as freshman year was, I learned a great deal. Aside from reading The Iliad and other classics, I made life-long friends. And, I came to understand how lucky I was to have parents who were there for me. Dad especially offered unconditional love and would help me sort out whatever issues came my way. Many of my friends were left to their own devices when bills came or were only able to rely on their Moms for emotional support. Recognizing my good fortune was more important than any academic lesson.

 

 

Music

 

Music is so powerful in evoking emotions. During a recent visit, my Mom and Aunt Diane were recalling times when a piece of music brought tears to their eyes. Not tears of sadness, but tears inspired by the beauty of the sound. Aunt Diane recalled a time when she was driving home from work, on the FDR Drive, when she pulled her car over to listen without distraction. They were talking about classical music, identifying particular works of Bach and Beethoven that triggered the tears.

I have had occasions, especially with a live performance, where I have gotten shivers down my spine and my scalp prickled upon hearing something that touched my soul. Most often, for me, I’ve had that happen when voices harmonize and I feel uplifted. But even when I don’t have that physical reaction, I almost always have a response to music.

As a teenager and young adult music was central to my life. I think many people share that experience during that time of their life. Perhaps there are those for whom that isn’t true – my brother Mark comes to mind, but I think, not surprisingly, he may be the exception rather than the rule.

In high school, I have vivid memories of putting an album on my turntable, in my room the size of a closet, lying on my bed, and letting the music take me away. I didn’t do anything while I listened. Occasionally I may have read or done homework, but mostly I just listened…to Simon and Garfunkel, Seals and Crofts, Carole King, James Taylor. I put on my headphones, turned up the volume so that my head was filled with their voices, their melodies, their poetry.

The combination of the music and the lyrics in songs like Fire and Rain, The Boxer, Only Living Boy in New York, America validated my own feelings of alienation, loss and sadness. Sometimes it felt good to wallow around in my loneliness – I may have overdone that a bit as a teenager. But, the music could be hopeful or soothing, too. You’ve Got a Friend, Beautiful and Bridge Over Troubled Water reminded me that I did have connections, there was another way to look at the world.

Somewhere along the line I stopped doing that – just listening. Of course, life intrudes, especially when you work and have a family. But, I waste plenty of time – there could be time to do it. Concentrating fully on music, other than when I am in the car or at a concert, is just not something I consider doing anymore.

Music was a significant part of bonding with other people, too. We took it quite seriously. I remember going to my friend Cindy’s house (not the Cindy I played hooky with in elementary school, for those of you keeping track) to hang out. We weren’t long out of high school. She put on Turnstiles (Billy Joel) – a newly released album at the time. As she was setting it up on the turntable she turned to me and said, “Let’s not talk during it, ok?” I nodded in agreement. “And, I hope you don’t mind if I sing along to some of the songs, I really love James.” Cindy had already listened to the album many times over. It was still new to me. I was fine with her singing, she had a good voice. If we wanted to discuss a song, she paused the record so we could talk – we wouldn’t think of talking over it. This was one of many times that I bonded with someone over the shared experience of listening to an album.

At college, especially freshmen year, this shared ritual was an important part of establishing friendships. Merle introduced me to Jackson Browne and Dan Fogelberg. I remember sitting on her bed in her dorm room, we weren’t roommates yet, and she handed me the album Late for the Sky. “You have to listen to this,” she said. The evocative photograph on the cover, a solitary old car parked in front of a house as a day draws to a close with a still bright blue sky with fluffy white clouds, set the stage for the intense, searching songs that followed. We sat together and listened, cementing our friendship and a shared love of Jackson Browne. The same thing happened with Fogelberg’s Home Free. I heard the first notes of To the Morning and knew it was special to me. We eagerly awaited the release of their new albums, hoping one of us had the money to buy it.

Alison introduced me to Joni Mitchell. Aside from listening to Ladies of the Canyon, Alison played the guitar and we sang the songs. Again, a bond was formed that has withstood the test of time.

Music had another role in that time and place (the mid ‘70s). It was often used as a complement to getting high. I managed to make it through high school without trying pot. At times, I felt literally alone in that status. In college, I decided to relax my rules a bit and experiment (thank you, Merle, for getting me to loosen up!). One friend, Rob, fashioned himself as a kind of pied piper for those getting high for the first time. He liked introducing people to weed and I was one of his subjects. I went to his dorm room, where he had created an appropriately mellow environment with low lighting and wall hangings. He put on the Beatles’ Magical Mystery Tour and we rolled up. I admit it was kind of pleasant and relaxing. I remember walking back to my dorm in the dark and feeling like I was watching a movie where I could see the campus scenery as frames of film. Fortunately, it didn’t freak me out, I just took it all in. Although it was a positive introduction, I never fully embraced getting high. It was fine now and again, but not something I wanted to do regularly. I wonder if my feelings about pot relate to my failure to embrace the Grateful Dead, though that may be a ‘chicken or egg’ thing. Did I not like the Dead because I didn’t love getting high? Or, was it that I didn’t love getting high and therefore didn’t love the Dead? Either way, it wasn’t my scene.

Music was also an important part of my relationship with Gary. In our first year together we spent time listening to each other’s favorite albums. I had heard Bruce Springsteen before, but I didn’t fully appreciate his artistry until I listened to it with Gary. Our taste in music overlapped quite a bit, but Gary tended to like a grittier sound. I was drawn to prettier, more melodic songs. I remember playing James Taylor’s You Can Close Your Eyes for him, expecting him to be similarly moved. Gary said something disparaging about it. I’ve blocked out what he said – but he made fun of it.  I nearly broke up with him right then and there! His dismissive attitude cut me to the quick. We had a real fight (maybe our first?). We had to learn to respect each other’s taste in music – this was serious business. Clearly, we figured it out or we wouldn’t be here almost 38 years later (34 married).

There is one thing that remains different about Gary and me and our attitude toward music. Gary is happy to listen only to music from before 1980 – unless it is Springsteen or Jackson Browne. He listens to their new music. If something that sounds remotely like rap comes on the radio, he immediately changes the station or turns it off. I, on the other hand, like to hear new things, new musicians. While I’m not particularly interested in Top 40 or hip-hop, I do like trying out new artists. I listen to an alternative radio station. I’m still drawn to singer-songwriters, but I’m open to hearing new people. I listen to my old favorites, too, but I’m curious about new stuff.

As I write this and reflect on what music has meant to me, I have made a decision: I want to devote more time to listening, without distraction. Maybe I’ll borrow a page from my teenage self:  Put on a CD, lay on my bed and let the music envelop me.

Binghamton, 1977

xcourt

 

After I retired I took a writing workshop that was an awesome experience. I have written before about how liberating that class was for me. One of the assignments we were given was to write a poem in response to another work of art – a poem, a painting, song lyrics – whatever inspired us. I wrote a poem in response to “Down to You,” by Joni Mitchell. For those who aren’t familiar with it, or if you don’t remember the lyrics, here they are:

 

Everything comes and goes
Marked by lovers and styles of clothes
Things that you held high
And told yourself were true
Lost or changing as the days come down to you
Down to you
Constant stranger
You’re a kind person
You’re a cold person too
It’s down to you

You go down to the pick up station
Craving warmth and beauty
You settle for less than fascination
A few drinks later you’re not so choosy
When the closing lights strip off the shadows
On this strange new flesh you’ve found
Clutching the night to you like a fig leaf
You hurry
To the blackness
And the blankets
To lay down an impression
And your loneliness

In the morning there are lovers in the street
They look so high
You brush against a stranger
And you both apologize
Old friends seem indifferent
You must have brought that on
Old bonds have broken down
Love is gone
Ooh, love is gone
Written on your spirit this sad song
Love is gone

Everything comes and goes
Pleasure moves on too early
And trouble leaves too slow
Just when you’re thinking
You’ve finally got it made
Bad news comes knocking
At your garden gate
Knocking for you
Constant stranger
You’re a brute, you’re an angel
You can crawl, you can fly too
It’s down to you
It all comes down to you

Joni Mitchell from the album Court and Spark, 1974

 

I must have listened to that song, among many other Joni songs, hundreds of times during my college years. She was a mainstay of the soundtrack of that time in my life. This is the poem (or prose-poem) that I wrote after reflecting on that song:

 

Binghamton, 1977

It is a Binghamton kind of night.

The air so cold it hurts.

The sky is clear, pinpricks of light shine against the velvet blackness.

I am in exile.

 

My roommate’s boyfriend is visiting.

I will spend the weekend studiously avoiding my dorm room.

 

I am holding my pillow pressed against my chest, my knapsack on my back.

Waiting til 8:00 pm when I will meet a friend at her dorm room

where I will crash for the next two nights.

 

So, I wonder, where is the ‘pick up station’ that Joni sings about?

I have never found it.

Wouldn’t know how to work it, if I did.

 

She counts lovers like railroad cars.

I’ve had none.

 

But, I would like to lay down my loneliness.

I don’t think her way will work for me, though.

Can’t imagine picking up a stranger and feeling less alone.

 

Joni is right about one thing, though.

Pleasure moves on too early and trouble leaves too slow.

When I am in a tunnel, I can’t see the light.

If only the reverse were true.

When I’m in the light, I wait for a shoe to drop.

 

Right now I am clutching the night to me

And it is cold.